Eileen Leier‘s Sqlelten7úw’i – Red Salmon – Sockeye: reconsidering the Adams River Run, looks at local salmon stream ecologies and is comprised of extensive photographic and video documentation of the recurring salmon returns at Roderick Haig-Brown provincial park. Juxtaposed against this powerful narrative, the artist asks the viewer to consider the equally prevalent associated phenomena – that of amassed urban tourist constructs – assembled kiosks, food vendors and souvenir tents. This project, activates a dialogue of particular relevance to the Comox Valley as a hot-bed of aquaculture.

Eileen Leier is an Associate Professor at Thompson Rivers University in Kamloops, British Columbia. Her visual arts studies began with a B.A. from Simon Fraser University and a B.F.A. in photography from Emily Carr University in Vancouver. She studied at the San Francisco Art Institute in California and completed a Master of Fine Art in Photography at Concordia University in Montréal. Leier has shown photo-based and web art works in solo and group exhibitions in British Columbia, Québec, Ontario and Northern Canada. She has exhibited internationally in the United States, Scotland, France and Brazil. Her work is represented on the site; Fonds Documentaire sponsored by VOX, Centre de l’image contemporaine in Montréal, Québec.
View Effigy – The Adams River by Eileen Leier, the two-channel video that is being displayed in the George Sawchuk room as part of her work from Sqlelten7úw’i – Red Salmon – Sockeye: reconsidering the Adams River Run.

Nancy Bleck‘s new projects weave together select works from five portfolios, produced over a 20-year span. In a recent body of work she documented all nations uniting at the Sacred Stone Camp, supporting the Standing Rock Sioux Tribe in North Dakota and the ongoing resistance to the Kinder Morgan pipeline expansion in the Burrard Inlet on the Tsleil Waututh territory. Children of Tomorrow, done in collaboration with the Tsiel Waututh Nation, is an exhibition that looks at the practice of sustainability across generations and shared between cultures. Her work on the Uts’am Witness Project, done in collaboration with the Squamish Nation, connects wilderness conservation with the First Nations culture, art and social justice. Nancy’s work deeply investigates contemporary concepts of land, water, stewardship, community, health and violence.

Nancy Bleck’s contemporary photography and social practice are informed by feminist philosophy, ecology, and indigenous cultures. Co-founder of the Uts’am Witness Project (1997- 2007),
Bleck was adopted by the Squamish Nation with the name ‘Slanay Sp’ak’wus’ in 2001. She is a recipient of the YWCA Women of Distinction award in the category of Arts, Culture and Design (2007). A hardcover book titled Picturing Transformation, Newx-ayanstut, showcasing her photography over fifteen years, was released in fall 2013. She holds a BFA, Emily Carr University, (2000), MA in Fine Art, MaHKU, The Netherlands, (2005), and was employed as photo instructor at Emily Carr University for ten years. Nancy has worked in the field of visual arts in cities worldwide including Toronto, Berlin, Prague, Utrecht, and currently on the Tsleil-Waututh unceded Coast Salish lands in North Vancouver, BC.
View Nancy Bleck’s Frames of Resilience, containing 151 recent documentary photographs of protest and resistance including the opposition to the Kinder Morgan pipeline expansion and Standing Rock and Sacred Stone Camp in North Dakota.
View the words of Chief Dan George of the Tsleil-Waututh Nation in his Lament for Confederation, spoken as a plea during Canada’s centennial year in 1967.
View the words of Ta ah, Amy George, Matriarch, Tsleil-Waututh Nation, speaking her father’s words fifty years later during Canada’s bi-centennial year presented at the Drum is Calling Festival in Vancouver in 2017.



“Lament for Confederation, Speaking Her Dad’s Words”

from Storywaves: Remembering our Sacred Responsibilities

Kamala Todd, curator.

Drum is Calling Festival, City of Vancouver, 2017


“Frames of Resilience”

Rueben George, Sacred Trust, Tsleil Waututh Nation, Elder Ta ah (Amy George), Councilor Charlene Aleck, Tsleil Waututh Nation, Cedar Parker, Phil Lane Jr., Calvin Pompana, Jewel James. Photographs from The Alberta Tar Sands 2015; Totem Pole Journey 2016; Standing Rock and Sacred Stone Camp, North Dakota 2016; Opposition to the Kinder Morgan pipeline expansion 2012-2018; Vancouver City Hall 2016; Break Free from Fossil Fuels 2016; All Nations March, Washington, DC 2017


Children of Tomorrow (exhibition) 

“Hollow Man” and “Water” (projects), 2015

Charlene Aleck of the Tsleil Waututh Nation, collaborator


Uts’am Witness Project, 1997

Chief Bill Williams of the Squamish Nation, collaborator

Mountaineer John Clarke, collaborator


Canada Council for the Arts and BC Arts Council


Colorific Digital Printing Solutions




British Columbia Arts Council

Thompson Rivers Faculty of Arts

The Adams River Salmon Society

G. Scott McNally

Sandra Semchuk

Banff Centre for Arts and Creativity

Ashok Mathur



CVAG gratefully acknowledges the support of the Canada Council for the Arts, BC Arts Council, City of Courtenay, Old House Hotel and Spa, and NIC School of Fine Arts and Design.